Capture: By Night
35 Responses
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Thanks Angus, love a digital night and it's ability to warp what we are seeing.
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Oh, beautiful. I love burn-in night / low-light photography.
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Stunning photos Angus. I was showing some friends your star/landscape photos the other day in London.
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Gorgeous.
There will be work for sale, so you may want to bring cash.
Roughly how much, for us noobs?
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If nobody answers, I can't really play my part tonight, can I.
Will be in touch directly instead. -
Gorgeous. When there's so little of it, you really become conscious photography is all about the quality of the light.
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Great post, Angus, and there's many more cool and crisp night visions on your website. Streetlights and digital imaging seem to go well together.
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Angus McNaughton, in reply to
Hi Sacha, thank you, please contact me angusmcnaughtonphotography@gmail.com and I can provide a print of your choosing, there are various paper options, I will open up some of my other non night time material if you would like to look through the rest of my portfolio.
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Sacha, in reply to
Thank you.
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So apt that this post is named after The Bats 1984 debut EP!
Back when people were still allowed on the wharves in Lyttelton... -
Great to meet you last night Angus, and pleasing to see the little Art Ache show was well attended. Also managed to meet Amy, so will look at doing one myself at some stage.
Excited to find out about The Print Room too.
Took a couple of night shots while walking up Richmond Rd on the way to the show. I found it quite hard to capture the darkness, which you seem to do very well.
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Angus McNaughton, in reply to
Really good to see you there Jackson. My basic recipe that gave me better results was to use a tripod, shoot raw, then use adobe camera raw's tools to firstly: make the white balance much bluer as sodium street lights are orange. also do graduated exposure adjustments. For example, I burn in the footpath which always is overlit, then try to lighten the top to get some star light and more even lighting on the subject
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Ian Dalziel, in reply to
I burn in the footpath...
do you do any 'burning in' of objects in situ on long exposures?
or is it all in post production tools
- and digital cameras' brilliant ability to see into shadows... -
Angus McNaughton, in reply to
Not darkening, I'd do that afterwards. You could always use an optical graduated filter. Many people do "light painting" with a torch to highlight something, I haven't really used this method yet. Modern digital seems better suited than film for long exposures /low light photography as there is really good dynamic range. I'm always struggling with noise however, so looking for future camera upgrade options.
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This is one area where us iPhone chancers can’t really play. But see if you can guess where these are taken.
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The Wellington Lux light show has just wrapped up, and I got a few gems. Especially gems of the video captured kind.
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Nora Leggs, in reply to
Nice one - any more Wgtn lux pix there?
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Nora Leggs, in reply to
guess where these are taken.
bottom one might be art in the ark, or the french thing in the domain - though who knows, I guess you can wear a light suit anywhere : )
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Fog K Road
Fog Silo park -
The picture is "2745" by the Urban Intervention collective.
And "Light Rails", again:
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Circus tonight
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Here's another Lux photo - of the nZwarm exhibit in the foreground - and this time I've managed to splice a 3D render onto it.
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Walnut full-moonshadow, on the silver screen tonight
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Full moon, and imposter
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Ian Dalziel, in reply to
by Jove...
imposter
maybe not a moon,
maybe a planet?
...it looks like one of
the glass giants.
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