Capture: Eating Tim Tams with Tono and The Finance Company
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Goddamn hipsters staggering round in the goddamn dark.
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Did you say a 40W bulb?? Crikey.
I like the graininess, actually. The interior looks smoky and atmospheric. :-)
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Ian Dalziel, in reply to
Oh, it's 3 P, see...
Martin Phillips
forgive my flip fillip, but it's Phillipps...
:- )a bit more live stuff
maybe you can get some performers' photos of the audience....
a different vantage point, from a game set... -
Ian Dalziel, in reply to
Sister Ray....
...staggering round in the goddamn dark
Maybe this will usher back in the golden age of Torch Singers?
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I woz there. It was dim as dim. I'm amazed Jonathan managed to get any detail at all on Tono and Finances faces, even the highlights looked like low-lights to the eye. And if you haven't been, the Lucha lounge is miniscule, so
performers’ photos of the audience
this almost was... no separation here.
My word for dirty dim grainy black and white pics taken in the Lucha lounge = Moody. (probably all capitals). -
Love that 3rd shot, sir.
and yes to Moody (hi Sophie). -
Did you say a 40W bulb?? Crikey
Actually there was some light spill from the beer fridge behind the bar as well.
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We like our place dark and moody! Great pics man.
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JacksonP, in reply to
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Is Prince in there somewhere? This pic reminds of the computer simulation of satellites circling Earth.
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Sophie G, in reply to
constellation of cellphones at Prince last Friday
What a spectacle Jackson, galaxies away from Friday nite at the Lucha Lounge : )
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JacksonP, in reply to
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Wow, that light was low! I used to get similar results in the 70s with Ilford 400 (was it HP400?) push processed to 1600, but I think your grain is finer. And they're great photos, on top of the techy stuff - good job!
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Lovely, crunchy grain. Erm, developed in what...?
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Thanks Gregor. I'm trying to get more Ilford Delta 3200 now because this set and the last couple of rolls have worked well for me. It could be pushed to 6400 or 12800 ASA but I haven't tried. Also, when you hang it up it dries nice and flat. I went back to Tri-X in a wave of nostalgia for a while, however it wouldn't dry flat but slightly bowed, so the scans were not sharp across the whole image.
Lovely, crunchy grain. Erm, developed in what…?
Here's the techy stuff, Peter ... the developer is Tetenal Ultrafin, diluted 1+10, the time was 18 minutes at 21° C. The first minute is continuous inversions, then five inversions for every minute after that. The scanner is an Epson V700.
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Sacha, in reply to
Danielle may need to save up for that many tickets though. :)
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JacksonP, in reply to
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JacksonP, in reply to
Where is that nice silhouette you caught Jackson?
On my computer at home. Wasn't quite as good on the big screen. Especially like your last one.
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